The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens. Among the most famous building, Parthenon Temple, it contains the remains of several Greek and Roman buildings of great architectural and historic significance. Most of the buildings date from fifth century BCE to the second century AD.
The Parthenon is a former temple, on the Athenian Acropolis, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power. It was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order. The decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece, Athenian democracy and western civilization, and one of the world"s greatest cultural monuments. To the Athenians who built it, the Parthenon and other Periclean monuments of the Acropolis, were seen fundamentally as a celebration of Hellenic victory over the Persian invaders and as a thanksgiving to the gods for that victory. The Greek Ministry of Culture is currently carrying out a programme of selective restoration and reconstruction to ensure the stability of the partially ruined structure.
The Acropolis of Athens and its monuments are universal symbols of the classical spirit and civilization and form the greatest architectural and artistic complex bequeathed by Greek Antiquity to the world. In the second half of the 5th century BC, Athens, following the victory against the Persians and the establishment of democracy, took a leading position amongst the other city-states of the ancient world. In the age that followed, as thought and art flourished, an exceptional group of artists put into effect the ambitious plans of Athenian statesman Pericles and, under the inspired guidance of the sculptor Pheidias, transformed the rocky hill into a unique monument of thought and the arts. The most important monuments were built during that time: the Parthenon, built by Ictinus, the Erechtheon, the Propylaea, the monumental entrance to the Acropolis, designed by Mnesicles and the small temple Athena Nike.
A propylaea means an monumental gateway in ancient Greek architecture. Entrance into the Acropolis was controlled by the Propylaea. Though it was not built as a fortified structure, it was important that people not ritually clean be denied access to the sanctuary. It was one of several public works commissioned by the Athenian leader Pericles in order to rebuild the Acropolis hill at the conclusion of the Persian Wars. Pericles appointed his friend Phidias as the supervisor and lead architect of this massive project, which Pericles allegedly financed with funds appropriated from the treasury of the Delian League. According to Plutarch, the Propylaea was designed by the architect Mnesicles, about whom nothing else is known. Construction began in 437 BC and was terminated in 432, when the building was still unfinished.
To the west of the Dionysos theatre and quite close to the cliff of the Acropolis lies the Asklepieion, the sanctuary of the healing god Asklepios dated to 420 BC. Functioning pretty much as hospitals, the asklepieia were of immense importance in ancient Greece, the most popular being the Asklepieion of Epidaurus. Besides the usual facilities for sheltering the pilgrims, the core structures of the Athenian complex were the temple of the god and the enkoimeterion (dormitory). That was a large two-storey stoa for the enkoimesis of the patients, a dream-like and rather hallucinatory state of sleep induction, practised in those shrines. While in hypnotic state, the patients waited to receive a dream vision of the god who would either give medical advice or even miraculously cure them. Votive offerings that came to light from the site often depict healed body parts. Characteristic examples are on display in the Acropolis Museum.
The Temple of Athena Nike on the Acropolis of Athens was named after the Greek goddess. Built around 420 BCE, the temple is the earliest fully Ionic temple on the Acropolis. It was a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea"s southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena Nike.
The Odeon of Herodes Atticus is a stone theatre structure located on the southwest slope of the Acropolis of Athens. It was built in 161 AD by the Athenian magnate Herodes Atticus in memory of his wife, Aspasia Annia Regilla. It was originally a steep-sloped theater with a three-story stone front wall and a wooden roof made of expensive cedar of Lebanon timber. It was used as a venue for music concerts with a capacity of 5,000. It lasted intact until it was destroyed and left in ruins by the Heruli in 267 AD.
The Theatre of Dionysus Eleuthereus is a major theatre in Athens, built at the foot of the Athenian Acropolis. Dedicated to Dionysus, the god of plays and wine, the theatre could seat as many as 17,000 people with excellent acoustics, making it an ideal location for ancient Athens" biggest theatrical celebration, the Dionysia. It was the first theatre ever built, cut into the southern cliff face of the Acropolis, and supposedly birthplace of Greek tragedy. The remains of a restored and redesigned Roman version can still be seen at the site today. It is sometimes confused with the later, smaller, and better-preserved Odeon of Herodes Atticus, located nearby on the southwest slope of the Acropolis.
The Acropolis Museum, opened in 2009, focuses on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies over the ruins of a part of Roman and early Byzantine Athens. Nearly 4,000 objects are exhibited over an area of 14,000 square metres.
Towering 52 meters above the sea, Bengtskär lighthouse is the tallest one in Scandinavia. The building started in in 1905 after the shipwreck of S/S Helsingfors and was completed in 1906. The lighthouse was designed by architect Florentin Granholm. On December a special petrol lantern, designed and built in Paris, was brought to Bengtskär and installed atop the tower.
German fleet bombarded Bengstkär in the First World War in 1914. Since the Gulf of Finland was heavily mined, it was not until 1919 that the surrounding seas were declared safe for shipping, that the light was lit again.
After the war the military value of Bengtskär increased as part of the defence system of independent Finland. In Second World War (1941) Soviet Union made a suprise attack to island. After a bloody battle, the small Finnish garrison emerged victorious. Intermittent repairs to the facility continued during the post-war period.