Veliki Tabor is a castle and museum in northwest Croatia, dating from the middle of 15th century. The castle's present appearance dates back to the 16th century. Most of the castle was built by the Hungarian noble family of Ráttkay, in whose ownership it remained until 1793.
The oldest part of the fort centre is its central part, the pentagonal castle, whose stylistic characteristics belong to the Late Gothic period. The castle is surrounded by four semi-circular Renaissance towers connected by curtain walls and the walls of the northern entrance part. The fort centre is surrounded by the outer defence wall (the distance from the easternmost to the westernmost points being about 225 metres) with a farm office, a Renaissance bastion, two semi-circular guardhouses (northern and southern), and the quadrangular entrance tower (present only on the archaeological level) through which the access road ran.
In the Middle Ages, Veliki Tabor belonged to Hermann II, Count of Celje. His son Fridrik fell in love with Veronika, a girl from a poor family. Hermann refused to accept a minor noblewoman as his daughter-in-law. He accused her of witchcraft and had her drowned. Frederick's rebellion against Hermann ended with Frederick's imprisonment. Her body was walled up in Veliki Tabor. Veronika’s weeping can still be heard from the castle, according to some stories.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.