Košljun is a tiny island in Puntarska Draga bay off the coast of Krk, facing Punat. It is approximately 300 meters in diameter and covers an area of 6.5 hectares, but is rich in vegetation. The only inhabitants are a group of Franciscan friars living in St. Mary's Monastery.
The earliest known settlement on Košljun was a Roman villa rustica belonging to a landowner of the Roman settlement on Krk. The next solid evidence of inhabitation is a written record from 1186 implying the existence of a Benedictine abbey built on its foundations. This was abandoned in 1447, and the Frankopans moved in Franciscans in their place. The present church was built by the Franciscans in 1480. The Benedictines remained on the island until the 15th century. After the death of the abbot Dominik, a Venetian priest held the title of Abbot of Košljun, and the island was abandoned.
A pair of Franciscan friars complained to the Pope that the monastery was sitting empty. At their request, the Benedictine monastery was abolished and the island of Košljun given to the Franciscans, whose monastery remains today.
By the jetty there is a statue of St. Francis with a wolf, a frequent iconographic motif for this saint. As well as the statue there is also a text written in Glagolitic over the main entrance to the monastery, 'Mir i Dobro' (peace and well-being) which is also dedicated to St. Francis. In the monastery there is an ethnographic collection including articles used by farmers and fishermen on Krk from the end of the 19th and the beginning of the 20th century.
There is also a permanent exhibition of church artefacts housed in the old Benedictine church from the 12th century. As well as old masters the collection also includes works by more recent Croatian artists and sculptors such as: Dulčić, Bulić, Radauš, Orlić and Kršinić. The monastery also owns a rich library of some 15,000 books which contains a Jewish Bible from the 11th century, Glagolitic sermons and Ptolemy's Atlas, printed in Venice in 1511.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.