At the northwest end of Salona’s town limits, subsequently fortified, there is an amphitheatre, which forms part of the town defence system. Its remains are comparatively well-preserved, showing the benefits of the well known reconstruction made by the Danish archaeologist Ejnar Dyggve.
Dyggve considers that the amphitheatre was designed by Roman architects who performed similar tasks elsewhere too, and that it was built in the second half of the second century AD. Today, we can see only the lower parts of its large walls, largely reconstructed in the 1950s. During the Venetian époque, it was intentionally damaged to prevent it from being used by the Turkish units during their war with Venice in the 16th and the 17th centuries. After that, it was used as a quarry from where stone for house building was being taken, like in many other places.
It is believed that it could have accommodated about fifteen thousand, or even more, spectators. In order to enable fast entrance to and evacuation from the auditorium, a double system of communications was designed: radial, as related to the building ellipse, and circular, as related to the levels of the seat rows. Such a system is quite often at large sports’ stadiums of today. Because of its location along the northern and, partly, the western town walls. Its main entrances must have been in the south and the east walls, which is a deviation from the system comprising two entrances in the east – west longitudinal axis. On its northern side, it stood on elevated soil, some of the walls built on marl (still visible) having therefore no foundations, unlike the other sides. On the southern side, and also on parts of the western and eastern sides, it had three floors: two with arcades and the third with rectangular windows.
In the vicinity of the amphitheatre, to its south, there was a cemetery for gladiators killed in the arena. From their epitaphs, we learn their names, origins, homelands and fighting specialities.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.