On the cape to the south of the Hvar lies the Franciscan Monastery with a church of Our Lady of Mercy, built in the late 15th century. Hanibal Lucić's grave is under the main altar in the church. The cloister, with its monumental rounded arches with a well in the middle, dominates the whole of the Renaissance monastery. The bell tower, in Renaissance style, is the work of an artist from Korčula.
Within the peace and quiet of the monastery walls, you can enjoy a rich display of museum exhibits (collections of Greek, Roman and Venetian coins, liturgical items, atlas of the ancient cartographer Ptolemaeus, rare exhibits of amphora, etc), as well as paintings of Venetian artists like Francesco Santacroce and Palma Junior. The monastery is known for its magnificent painting of the Last Supper (2 x 8 m) which leaves everyone breathless. Some critics believe it is the work of a painter from Ravenna Matteo Ingoli, whilst others think that the painting belongs to the school of Palma Junior. One more rarity that makes the monastery famous is the 300-year old cypress that is located in the garden of the monastery.
References:Saint-Georges de Boscherville Abbey is a former Benedictine abbey. It was founded in about 1113 by Guillaume de Tancarville on the site of an earlier establishment of secular canons and settled by monks from the Abbey of Saint-Evroul. The abbey church made of Caumont stone was erected from 1113 to 1140. The Norman builders aimed to have very well-lit naves and they did this by means of tall, large windows, initially made possible by a wooden ceiling, which prevented uplift, although this was replaced by a Gothic vault in the 13th century. The chapter room was built after the abbey church and dates from the last quarter of the 12th century.
The arrival of the Maurist monks in 1659, after the disasters of the Wars of Religion, helped to get the abbey back on a firmer spiritual, architectural and economic footing. They erected a large monastic building one wing of which fitted tightly around the chapter house (which was otherwise left as it was).