The significance of Vrana to the medieval Croatian history was closely connected with three religious communities: the Benedictines, the Knights Templar, and the Knights Hospitaller. The arrival of these three orders in Vrana and their cultural and political influence was conditioned by the medieval circumstances in Croatia and by the Roman Pope. Vrana had become one of the most important centers of political life, especially in the period from 1070.
After the pope's deputies crowned him as the king of Croatia, King Zvonimir Dmitar in 1076 donated the city of Vrana and Benedictine monastery of St. Gregory, as a sign of loyalty to Pope Gregory VII. Vrana was the first permanent diplomatic headquarters of the pope's deputies in the entire Slavic region. Insignia of Croatian Kingdom were held within Vrana's walls for a long time. Consequently, Coloman of Hungary in 1102 came to the coronation in Biograd, as the nearest royal residence.
In the 12th century, the church Priory of Vrana donated this property to Knights Templar. At that time, Vrana was fortified with walls and towers and a moat. There are assumptions that the present ruins of a fortified facility above the village were part of a fortified town with a church. After Knights Templars, Vrana was the property of the Knights Hospitallers from 1312.
The Ottoman Empire conquered Vrana in 1527, and it remained under their control for a century, before the Republic of Venice took it in the Candian War briefly in 1647 and Morean War finally. In October 1683, the population of Venetian Dalmatia, principally Uskoks of Ravni kotari, took arms and together with the rayah (lower class) of the Ottoman frontier regions rose up, taking Skradin, Karin, Vrana, Benkovac and Obrovac.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.