Church of San Cataldo

Palermo, Italy

Erected in 1154 as a notable example of the Arab-Norman architecture which flourished in Sicily under Norman rule on the island, the Church of San Cataldo is annexed to that of Santa Maria dell'Ammiraglio. In the 19th century it was restored and brought back to a form more similar to the original medieval edifice.

The church has a rectangular plan with blind arches, partially occupied by windows. The ceiling has three characteristics red, bulge domes (cubole) and Arab-style merlons. The church provides a typical example of the Arab-Norman architecture, which is unique to Sicily. The plan of the church shows the predilection of the Normans for simple and severe forms, derived from their military formation. Moreover, the building shows how international the language of Norman architecture was at the time, as the vocabulary which marks parts of the church, like the bell tower, can be tracked down in coeval buildings like the cathedral of Laon and the Abbaye aux Dames in Caen, both in Northern France, or the cathedral of Durham in England. At the same time, the church shows features shared by Islamic and Byzantine architecture, such as the preference for cubic forms, the blind arches which articulate the external walls of the church and the typical spherical red domes on the roof.

The interior has a nave with two aisles. The naked walls are faced by spolia columns with Byzantine style arcades. The pavement is the original one and has a splendid mosaic decoration. Also original is the main altar.

References:

Comments

Your name



Marker
Leaflet © OpenStreetMap contributors

Details

Founded: 1154
Category: Religious sites in Italy

More Information

en.wikipedia.org

Rating

4.4/5 (based on Google user reviews)

User Reviews

Vin Chenzo (8 months ago)
Small church but with significant importance as you can see from the exterior design of it. Standing only visit you cannot sit inside. Inexpensive 2.50 euro entry.
Ufuk Yüksekkaya (9 months ago)
San Cataldo Church in Palermo, built in the 12th century, is a striking example of Norman-Arab architecture. Its red domes, reminiscent of Islamic design, contrast with its austere stone exterior. Originally part of a royal palace complex, the church's interior features intricate mosaics and a unique mix of cultural influences. Once serving as a post office, it was restored to its former glory and now stands as a UNESCO World Heritage site, offering a glimpse into Palermo's diverse historical tapestry.
David Weber (10 months ago)
Of all the churches to visit in Palermo, this was the best one for me. It is understated and elegant. Definitely worth a visit.
Andrew (10 months ago)
Unless you are extremely interested in ancient architecture, I would skip this church. Unlike the one next door, it's very sparsely decorated. There isn't much to see. It's also very small. Visit the church next door and admire this one from the outside.
Monte carlo Spazum (12 months ago)
The fact that you must pay to see an old stone room... no. That should be a sin. It states that it literally only fits 20 people standing (sitting is forbidden). Its cheap, only 2.50 euro but thats 2.50 euro to look at a stone built room that fossils used to visit. The outside is a better experience than the room. Dont do it.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Rosenborg Castle

Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.

The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.

Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.