The San Giovanni degli Eremiti church dates back to the 6th century. After the establishment of the Norman domination of southern Italy, it was returned to the Christians by Roger II of Sicily who, around 1136, entrusted it to the Benedictine monks of Saint William of Vercelli.
The church was extensively modified during the following centuries. A restoration held around 1880 attempted to restore its original medieval appearance.
The church is notable for its brilliant red domes, which show clearly the persistence of Arab influences in Sicily at the time of its reconstruction in the 12th century, the Arab-Norman culture. However, the red colour of the domes are not original, as they were restored in the present way at the end of the nineteenth century by an architect who found pieces of red plaster on the domes and therefore decided to paint all the domes in red.
The church lies with a flank on a square construction. The church is on the Latin Cross plan with a nave and two aisles and three apses. Each of the square spans is surmounted by a dome. The presbytery, ending with a niche, has also a dome.
The cloister, enriched by a luxurious garden, is the best preserved part of the ancient monastery. It has notable small double columns with capitals decorated by vegetable motifs, which support ogival arches. It also includes an Arab cistern.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.