Palazzo Abatellis is home to the Galleria Regionale della Sicilia, the Gallery of Art for the Sicilian region.
The palazzo, an example of Gothic-Catalan architecture, was designed in the 15th century by Matteo Carnelivari, at the time working in Palermo at the palazzo Aiutamicristo. It was the residence of Francesco Abatellis (or Patella), port master of the Kingdom of Sicily.
The regional gallery is home to many works acquired when several religious orders were suppressed in 1866. The ground floor contains 12th century wooden works, 14th and 15th century works including some by Antonello Gagini, painted maiolica from the 14th-17th centuries, the 15th-century Bust of a Gentlewoman by Francesco Laurana and painted panels of wooden ceilings. The large fresco of the Triumph of Death (most likely dating to 1445), is exhibited in the former chapel.
On the first floor is the museum's most famous work, the Virgin Annunciate, by Antonello da Messina (15th century), considered among Italy's best Renaissance paintings. Also present are three panels with St. Augustine, St. Gregory the Great and St. Jerome also by Antonello, once part of a polyptych now destroyed, and Vouet's Saint Agatha's Vision of Saint Peter in Prison. The museum contains the Netherlandish Malvagna triptych by the Early Netherlandish painters Jan Gossaert and Gerard David, and a Deposition by Jan Provost. It also houses a depiction of Moses by Pietro Novelli.
References:The Temple of Edfu is one of the best preserved ancient shrines in Egypt. It was built in the Ptolemaic Kingdom between 237 and 57 BC.
Edfu was one of several temples built during the Ptolemaic Kingdom, including the Dendera Temple complex, Esna, the Temple of Kom Ombo, and Philae. Its size reflects the relative prosperity of the time. The present temple initially consisted of a pillared hall, two transverse halls, and a barque sanctuary surrounded by chapels. The building was started during the reign of Ptolemy III Euergetes and completed in 57 BC under Ptolemy XII Auletes. It was built on the site of an earlier, smaller temple also dedicated to Horus, although the previous structure was oriented east–west rather than north–south as in the present site.