Palazzo Abatellis

Palermo, Italy

Palazzo Abatellis is home to the Galleria Regionale della Sicilia, the Gallery of Art for the Sicilian region.

The palazzo, an example of Gothic-Catalan architecture, was designed in the 15th century by Matteo Carnelivari, at the time working in Palermo at the palazzo Aiutamicristo. It was the residence of Francesco Abatellis (or Patella), port master of the Kingdom of Sicily.

The regional gallery is home to many works acquired when several religious orders were suppressed in 1866. The ground floor contains 12th century wooden works, 14th and 15th century works including some by Antonello Gagini, painted maiolica from the 14th-17th centuries, the 15th-century Bust of a Gentlewoman by Francesco Laurana and painted panels of wooden ceilings. The large fresco of the Triumph of Death (most likely dating to 1445), is exhibited in the former chapel.

On the first floor is the museum's most famous work, the Virgin Annunciate, by Antonello da Messina (15th century), considered among Italy's best Renaissance paintings. Also present are three panels with St. AugustineSt. Gregory the Great and St. Jerome also by Antonello, once part of a polyptych now destroyed, and Vouet's Saint Agatha's Vision of Saint Peter in Prison. The museum contains the Netherlandish Malvagna triptych by the Early Netherlandish painters Jan Gossaert and Gerard David, and a Deposition by Jan Provost. It also houses a depiction of Moses by Pietro Novelli.

References:

Comments

Your name



Address

Via Alloro 4, Palermo, Italy
See all sites in Palermo

Details

Founded: 1954
Category: Museums in Italy

Rating

4.5/5 (based on Google user reviews)

User Reviews

Lois McEwan (3 months ago)
Some of the finest pieces of European art ever made in an elegant palazzo - would be five stars but the experience was ruined by the indescribable rudeness and aggression of the staff, which is mentioned again and again in these reviews. I had a man shine a torch in my eyes while screaming in my face because I didn't know the lift had broken down. For context, I am an elderly woman on my own of about 1.5m. What a contrast with any privately run gallery here. Pity the council hire staff who lack the social skills to work as market traders for this beautiful gallery.
Yuta Kurimoto (4 months ago)
Must go classic art museum exhibition design by Carlo Scarpa. Mainly Byzantine art from 13th and 14th artwork.
mariia s (8 months ago)
I really liked this museum. It is not big , but is is situated in very nice building ( properly palazzo Abatellis) and has a nice collection of religious paintings, wood carvings and marble statues and bareliefs . Also the restorators are working directly in the museum halls. We had a chance to see the process of art restoration
Matt H (9 months ago)
This was one of the many palazzi in Palermo. One that is a little unknown maybe? So many works. So little people. Great information in every room on the artwork. Many at least 500-600 years old. Take a look at the photos. Mine and others. You get a great sense of the building. And the art. So well preserved and presented too. A must
Carmen Pavelescu (2 years ago)
A museum with lots of works of art. Inside it is a beautiful painting which is “bigger” than the museum itself! Go and find it! Enjoy!
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Temple of Edfu

The Temple of Edfu is one of the best preserved ancient shrines in Egypt. It was built in the Ptolemaic Kingdom between 237 and 57 BC.

Edfu was one of several temples built during the Ptolemaic Kingdom, including the Dendera Temple complex, Esna, the Temple of Kom Ombo, and Philae. Its size reflects the relative prosperity of the time. The present temple initially consisted of a pillared hall, two transverse halls, and a barque sanctuary surrounded by chapels. The building was started during the reign of Ptolemy III Euergetes and completed in 57 BC under Ptolemy XII Auletes. It was built on the site of an earlier, smaller temple also dedicated to Horus, although the previous structure was oriented east–west rather than north–south as in the present site.