The Basilica of the Most Holy Trinity, commonly known La Magione, is a Norman church of Palermo. It was completed in 1191 and is the last church built in the capital of the Norman Kingdom of Sicily during the period of the Hauteville dynasty. Its foundation is linked to the Chancellor of the Kingdom, Matthew of Ajello. Initially attributed to the Cistercians, during the period of the Hohenstaufen dynasty the church became the main house of the Teutonic Order. It is located in the quarter of the Kalsa, within the historic centre of Palermo.
In 1193 the prince Roger III of Sicily, son and heir of King Tancred of Sicily, was buried in this church. In 1194 Tancred himself was buried here.
After the death of Tancred the Kingdom was conquered by the Holy Roman Emperor Henry VI, husband of Constance of Hauteville, daughter of King Roger II of Sicily. In 1197 the church and its monastic fiefs was confiscated from the Cistercians and given to the Teutonic Knights. Their presence ensured the protection of young King Frederick II for over a decade during his minority. The knights built dormitories, an armoury and stables.
In 1492, at the request of Pope Innocent VIII, King Ferdinand II of Aragon, removed the Teutonic Order from Sicily. The complex became a residence for priests and abbots under the administration of the archbishop of Palermo. In 1780 it passed unto direct control of the Bourbon of Naples and in 1787 it was given to the Sacred Military Constantinian Order of Saint George. This situation ended with the unification of Italy in 1861.
In 19th century an important restoration was realized by Giuseppe Patricolo. Another restoration was realized after the Second world war. The church has the title of Minor basilica.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.