The Euryalus Fortress was the key point in the fortifications of the ancient Greek city of Syracuse. It is located on the highest point of the hill of Epipolae.
During the Athenian invasion of Sicily (415-413 BC), the fortress did not yet exist, but the strategic importance of the area was clear; the Athenians initially captured the hill, but their failure to retain it prevented them from effectively besieging the city. The name Euryalus is mentioned by Thucydides in the course of the first Athenian attack on the city.
The fortress was first established by Dionysius I, tyrant of Syracuse. Construction took place between 402 and 397 BC, with the intention that the fortress would protect the city from siege and attack by the Carthaginians. Various renovations were subsequently undertaken in response to developments in siege weaponry, under Agathocles and Hiero II.
After the Roman conquest of the city in 212 BC by Marcus Claudius Marcellus, the fortress continued to be modified until the Byzantine period when parts of it were torn apart in order to repair the rest in light of Muslim invasion.
On 30 September 2016, an antiquarium was opened on the site, after a long closure resulting from the Santa Lucia earthquake of 1990. This building contains some of the discoveries from the site, including a sword, a helmet, and the missiles from a stone-throwing catapult.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.