Noto Cathedral construction, in the style of the Sicilian Baroque, began in the early 18th century and was completed in 1776. It is dedicated to Saint Nicholas of Myra, and has been the cathedral of the Diocese of Noto since the diocese's establishment in 1844.
The cathedral dome collapsed in 1996 as a result of unremedied structural weakening caused by an earthquake in 1990, to which injudicious building alterations in the 1950s may have contributed. It has since been rebuilt, and was reopened in 2007.
The façade, the composition of which is comparable to those of the church of Notre-Dame, Versailles, and the pre-revolutionary church of Saint-Roch in Paris, was started in late 1767 (the nearby campanile bears the date 1768) to designs of about 1740 by Gagliardi.
In the 19th century the dome had to be reconstructed twice, ending up as a Neo-Classical construction, after collapses caused by earthquakes. In the 1950s much refurbishment was carried out, not entirely successfully, for example the trompe-l'oeil of the vertical elements and the tempera decoration of the vaults by the painters Arduino and Baldinelli, as well as major alterations to the high altar and the organ. Most serious however was the replacement of the original pitched roof of the nave by a heavy loft of Roman brick and concrete which was probably one of the causes of the collapse of 1996.
The exterior is of pale yellow limestone, in the Sicilian Baroque style. In front of the cathedral are four statues of saints on pillars. On the left tower is mounted the church bell, and on the right tower a clock. In the central tower, there is a large window. There are also three doors. Over the crossing is the large central dome.
The interior is now simply painted white, as the 18th century interior decoration was destroyed in the collapse. The principal features and furnishings are those consecrated on 13 January 2011, as above.
The cathedral houses the relics of Saint Corrado Confalonieri, patron saint of the city of Noto.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.