Messina Cathedral dates back to the 12th century, but it was thoroughly restored between 1919-1920 due to the earthquake that had caused serious damage in 1908. During the Second World War when the Allied dropped bombs on the city, a fire destroyed part of the cathedral which was rebuilt in 1943.
The apsidal area has its original Norman structure and the three outstandingly decorated portals of the façade built following the late Gothic style may have been built, at least the central one, at the beginning of 15th century. A sculpture of Jesus among the Evangelists stands in the architrave where it is also possible to admire human beings, animals and plants beautifully sculpted.The tympanum dates back to the second half of 15th century. There is a nave and two aisles where files of 28 columns stand. Part of the decoration is original except the mosaics in the apse which are reconstructions.
This cathedral is where the remains of remarkable men rest such as Conrad IV king of Germany and Sicily (13th century) and many archbishops. The chapel of Sacrament, built in the late 16th century, houses scenographic decorations and mosaics dating back to 14th century. In 1933 the Ungerer company of Strasbourg incorporated the largest astronomical clock in the world in the bell tower.
Every day a t 12 there is a performance by mechanically animated statues telling the core facts of civil and religious history of Messina.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.