Palazzo del Monte di Pietà was built in 1616 for the Arciconfraternita degli Azzurri. The building was modified in 1741 with the addition of a first floor, a bell tower and a staircase. These were built to designs of the architect Antonino Basile. A fountain decorated with a statue of Abundance was built in the middle of the staircase.
The structure was damaged during the earthquake of 1783 and that of 1908. The building's upper floor was largely destroyed during the latter earthquake. The structure was further damaged by World War II bombings. Restoration of the building began in 1979, and it is now used for cultural purposes.
The Palazzo del Monte di Pietà is built in the Mannerist style. The ground floor has a central rusticated portal topped by a broken pediment, flanked by two windows on each side. The windows are topped by triangular pediments, and they are separated by niches.
The first floor of the building, which was constructed in the 18th century, had an open balcony flanked by two windows on each side. The balcony and the lower parts of the windows can still be seen, but the rest of the floor was destroyed in the 1908 earthquake.
The building contains a large vaulted hall which opens into a courtyard. This leads to the 18th-century monumental staircase, leading to the Church of Santa Maria della Pietà. Only part of the façade of the church has survived; the building itself was destroyed during the 1908 earthquake.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.