The Museo regionale Agostino Pepoli is an art, archaeology and local history museum in Trapani. Established in 1906-1908 as the civic museum by count Agostino Pepoli and initially based on the private collection of count Sieri Pepoli and Neapolitan paintings donated by general Giovanbattista Fardella, it is based in a former 14th century Carmelite monastery next to the Basilica-santuario di Maria Santissima Annunziata. In 1921 it acquired count Francesco Hernandez di Erice's collection of cribs, ceramics and archaeological objects.
The museum houses a large collection of paintings, cribs, sculpture and decorative arts, including works by Antonello Gagini and in coral and silver. The paintings include works by Titian (Saint Francis Receiving the Stigmata) and Giacomo Balla (a portrait of Nunzio Nasi), a 15th-century Valencian Madonna and Child with Angels, a 1380 Pietà by Roberto d'Oderisio and a St Andrew by the Flemish artist Geronimo Gerardi. It also includes the 'Tesoro della Madonna', product of several donations to the Madonna di Trapani. The collection includes archaeological remains from the province (in 2009 Edipuglia published a catalogue of the Museum's archaeological collections) and historical relics of the Risorgimento era from Trapani, including a Bourbon-era guillotine and the ensign of the Lombardo, which brought Garibaldi and 'The Thousand' to Sicily.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.