The Museo regionale Agostino Pepoli is an art, archaeology and local history museum in Trapani. Established in 1906-1908 as the civic museum by count Agostino Pepoli and initially based on the private collection of count Sieri Pepoli and Neapolitan paintings donated by general Giovanbattista Fardella, it is based in a former 14th century Carmelite monastery next to the Basilica-santuario di Maria Santissima Annunziata. In 1921 it acquired count Francesco Hernandez di Erice's collection of cribs, ceramics and archaeological objects.
The museum houses a large collection of paintings, cribs, sculpture and decorative arts, including works by Antonello Gagini and in coral and silver. The paintings include works by Titian (Saint Francis Receiving the Stigmata) and Giacomo Balla (a portrait of Nunzio Nasi), a 15th-century Valencian Madonna and Child with Angels, a 1380 Pietà by Roberto d'Oderisio and a St Andrew by the Flemish artist Geronimo Gerardi. It also includes the 'Tesoro della Madonna', product of several donations to the Madonna di Trapani. The collection includes archaeological remains from the province (in 2009 Edipuglia published a catalogue of the Museum's archaeological collections) and historical relics of the Risorgimento era from Trapani, including a Bourbon-era guillotine and the ensign of the Lombardo, which brought Garibaldi and 'The Thousand' to Sicily.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.