Around 1140 Roger II, King of Sicily, transformed the old Saracen tower of Punta Troia in a real castle in defense of western end of the richest and most powerful kingdom in the Mediterranean at that time.
In subsequent periods Swabian domination, Angevin and Aragonese Marettimo followed the fate of Sicily, accentuating an isolation that had its peak during the long Spanish rule, when the western part of the island became a receptacle for pirates and privateers of all the reams, with a prevalence of those Saracens. The few inhabitants were forced to live in caves and the only real oversight of the central government was made up of the castle and its increasingly small garrison.
In the late 18th century the island began to be populated on a permanent basis. At that time, King Ferdinand IV of Bourbon, pushed by the enlightened viceroy Caracciolo, began timid attempts at government reform and enhancement of the kingdom territories. With the French Revolution, the castle became horrid prison, especially for political prisoners: in 1793, in times of anti-Jacobin repression and famine, Castle had well 52 political prisoners, crammed into a prison created in an old cistern called 'the pit”.
In 1844 King Ferdinand II abolished the castle. Together fell into disrepair the nearby church dedicated to St. Anne and the chapel dedicated to Our Lady.
Today the town is enclosed in a single agglomeration no longer 300 meters wide 200. Residents live mostly of tourism, but in the not too distant past, most of the population was made up of very valid sea-faring, experts and salting fish, not last, like good farmers and beekeepers.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.