The Granfonte is a monumental public fountain built in Renaissance-Baroque style, located in Leonforte. The elongated fountain extends for 24 meters, consists of 24 bronze spouts where he still gushing fresh spring water.
This structure completed in 1651 by Prince Nicolò Placido Branciforti, founder of the town of Leonforte. It was sited at the usual meeting-place for the town, and with its twenty-four spouts, provided ample and easy access. The work refers to various embodiments of the Flemish artists, at the time very widespread in Sicily, and is attributable to style and morphology to the Mariano Smiriglio architect’s artistic school from Palermo.
It is said that the Prince wanted to build it on the ruins of an old Moorish fountain, with a design similar to that of an existing fountain at that time in Amsterdam.
This monumental fountain was built with bearing walls of sandstone blocks from square cut and worked with sculptures in the round, low and high relief, engravings and decorations; twenty-four bronze spouts sorted pour water in the rectangular tank.
In the facade are visible twenty-two niches bottomless rectangular with round arches; central tower and two side with frames, ornaments and inscriptions, connected by spirals stone; two lions rampant on the side towers.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.