Ietas was an ancient town in the modern comune of San Giuseppe Jato. Ietas was mentioned by Philistus as a fortress, and it is called by Thucydides a fortress of the Siculians, which was taken by Gylippus on his march from Himera through the interior of the island towards Syracuse. It first appears as an independent city in the time of Pyrrhus, and was attacked by that monarch on account of its strong position and the advantages it offered for operations against Panormus; but the inhabitants readily capitulated.
In the First Punic War it was occupied by a Carthaginian garrison, but after the fall of Panormus drove out these troops and opened its gates to the Romans. Under the Roman government it appears as a municipal town, but not one of much importance. The Ietini are only noticed in passing by Cicero among the towns whose lands had been utterly ruined by the exactions of Verres; and the Ietenses are enumerated by Pliny among the populi stipendiarii of the interior of Sicily. Many manuscripts of Cicero read 'Letini', and it is probable that the Λῆτον of Ptolemy is only a corruption of the same name. The town minted coins in antiquity, examples of which survive.
The position of Ietas is very obscurely intimated in ancient sources, but it appears from Diodorus that it was not very remote from Panormus, and that its site was one of great natural strength. Silius Italicus also alludes to its elevated situation. Fazello assures us that there was a mediaeval fortress called Iato on the summit of a lofty mountain, about 25 km from Palermo, and 20 km north of Entella, which was destroyed by Frederick II at the same time as the latter city; and this he identified as the site of Ietas. The mountain is still called Monte Iato, though formerly known as Monte di San Cosmano, from a church on its summit.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.