Bey Hamam, alternatively known as the 'Baths of Paradise', is a Turkish bathhouse in Thessaloniki.
Built in 1444 by sultan Murad II, it was the first Ottoman bath in Thessaloniki and the most important one still standing throughout Greece. For this reason, it is a part of those few important vestiges of Ottoman culture remaining in Thessaloniki and Greece in general.
It is a double bath, with two separate parts for men and women. The male quarters are the most spacious and luxurious, but each one follows the same tripartite plan - a succession of three parts, the cold, tepid, and hot rooms. A large rectangular cistern flanks the baths to the east and guarantees their water supply.
The baths for the men include a large octagonal cold room, with a gallery resting on columns, arcades surrounding their windows, and a painted cupola. It is followed, in south-east, by the tepid room, also octagonal, equipped with a cupola with occuli and with a rich series of painted depictions of plants. Further to the east lies the complex of hot rooms, ordered around a large cruciform room, wherein the massage table might always be found, standing, now as ever, in its centre. Eight small hot and tepid rooms open on this space and are equipped with basins and marble benches.
The baths remained in usage, under the name 'Baths of Paradise', up until 1968, where they were leased to the Greek archaeological service for four years. After the 1978 Thessaloniki earthquake, which shook Thessaloniki especially hard, the baths were restored, and are used to this day for cultural events and short-lived exhibitions. Meanwhile, the eastern annex became the principal shop of the Foundation of Archaeological Receipts of the Hellenic Republic Ministry of Culture.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.