St Orland's Stone is a Pictish Cross-Slab at Cossans, near Kirriemuir and Forfar. The stone is a worked slab of Old Red Sandstone and it is 2.4 metres tall. The slab is carved on both faces in relief and, as it bears Pictish symbols, it falls into John Romilly Allen and Joseph Anderson's classification system as a class II stone.
The cross face bears a ringed Celtic cross decorated with interlaced knotwork and spiral designs. It is surrounded in the lower two quadrants by interlaced fantastic beasts. The border appears to have once borne knotwork designs, but is weathered and difficult to interpret.
The rear face is bears crescent and v-rod and double disc and z-rod Pictish symbols. Below this is what appears to be a hunting scene, with four horsemen accompanied by two hounds, below this is a boat loaded with passengers and a depiction of a fantastic beast facing or attacking a bull. A quadrangular section between the Pictish symbols and figural carving is missing, and appears to have been cut out or a previously inlaid section has been removed. The carving is bordered by interlaced knotwork.
At some point, the stone has been broken and has been repaired using iron staples, formerly on the faces of the stone, now on the edges, to reinforce it.
Direct access to St Orland’s Stone is currently not possible due to conservation works. The stone can be viewed from a safe distance.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.