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The Glamis Manse Stone, also known as Glamis 2, is a Pictish stone. Dating from the 9th century, it is located outside the Manse, close to the parish church. It is inscribed on one side with a Celtic cross and on the other with a variety of Pictish symbols.
The stone is a cross-slab 2.76 metres high. The slab is pedimented and carved on the cross face in relief, and the rear face bears incised symbols. It falls into John Romilly Allen and Joseph Anderson's classification system as a class II stone.
The cross face bears a Celtic cross carved in relief with ogee armpits. It has an incised ring and the shaft and roundel are decorated with knotwork interlace designs, with the arms and portion above the roundel holding zoomorphic interlaces. The cross is surrounded by incised symbols and figural representations. In the lower left-hand quadrant is depiction of two bearded, long-haired men apparently fighting with axes. Above them is what appears to be a cauldron with human legs dangling out of it. The lower right-hand quadrant holds what appears to be either a deer or a hound's head, similar to symbols found on the Monifieth 2 stone, above a triple disc symbol. The top right quadrant holds a centaur holding a pair of axes. The top left quadrant holds what has been interpreted as a lion.
The rear of the slab holds three incised symbols: a serpent above a fish, with a mirror at the bottom.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.