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The Glamis Manse Stone, also known as Glamis 2, is a Pictish stone. Dating from the 9th century, it is located outside the Manse, close to the parish church. It is inscribed on one side with a Celtic cross and on the other with a variety of Pictish symbols.
The stone is a cross-slab 2.76 metres high. The slab is pedimented and carved on the cross face in relief, and the rear face bears incised symbols. It falls into John Romilly Allen and Joseph Anderson's classification system as a class II stone.
The cross face bears a Celtic cross carved in relief with ogee armpits. It has an incised ring and the shaft and roundel are decorated with knotwork interlace designs, with the arms and portion above the roundel holding zoomorphic interlaces. The cross is surrounded by incised symbols and figural representations. In the lower left-hand quadrant is depiction of two bearded, long-haired men apparently fighting with axes. Above them is what appears to be a cauldron with human legs dangling out of it. The lower right-hand quadrant holds what appears to be either a deer or a hound's head, similar to symbols found on the Monifieth 2 stone, above a triple disc symbol. The top right quadrant holds a centaur holding a pair of axes. The top left quadrant holds what has been interpreted as a lion.
The rear of the slab holds three incised symbols: a serpent above a fish, with a mirror at the bottom.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.