Cullen House is a large house, now divided into fourteen separate dwellings, about 1 kilometre south west of the coastal town of Cullen in Moray. Originally built between 1600 and 1602, incorporating some of the fabric of a medieval building on the site, it was the seat of the Ogilvies of Findlater, who went on to become the Earls of Findlater and Seafield, and remained in their family until 1982. The house has been extended and remodelled several times since 1602, by prominent architects such as William Adam, his sons James and John Adam, and David Bryce. It has been described by the architectural historian Charles McKean as 'one of the grandest houses in Scotland'.
The house sits in an expansive estate, enlarged in the 1820s when the entire village of Cullen, save for Cullen Old Church, was demolished to make way for improvements to the grounds by Lewis Grant-Ogilvy, 5th Earl of Seafield. A new village, closer to the coast, was constructed for the inhabitants.
Cullen House was designated a Category A listed building in 1972, by which time it had fallen into a state of disrepair. Its contents were sold in 1975, and in 1982 it was purchased by Kit Martin, a specialist in saving historic buildings, who worked with the local architect Douglas Forrest to convert it into fourteen individual dwellings, while retaining much of the original interior of the building. The house was badly damaged by fire in 1987, and underwent an extensive programme of restoration that lasted until 1989.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.