The McManus Art Gallery and Museum is a Gothic Revival-style building, located in the centre of Dundee, Scotland.
The building was designed by the architect George Gilbert Scott, who was an expert for the restoration of mediaeval churches and advocate of the Gothic architectural style. He intended to design a large tower like in his previous work at St. Nikolai, Hamburg. The foundations were situated in a small wetland called Quaw Bog at the confluence of the Scourin Burn and Friar Burn, which has since been drained. This meant that the area under the building site was underpinned by large wood beams. However, when construction began in 1865, the ground proved too unstable to support the larger tower that he envisaged. The building was opened as the Albert Institute in 1867.
Two further sections, which extended the building by four art galleries and four museum galleries, were added by 1889. The central section was designed to Scott's intention by David MacKenzie, with the Eastern Galleries by William Alexander. The contents of the Watt Institute, founded in 1848, were incorporated into the collection before the opening of the civic museum and art gallery in 1873. Between 1873 and 1949, the buildings were administrated as part of public library service. From 1959, the city corporation took over the running of the administration. Ironically, following a later refurbishment the building now commemorates the Lord Provost Maurice McManus. Initially retitled McManus Galleries, after refurbishment in 2010, it is now formally known as The McManus: Dundee's Art Gallery and Museum.
The collection includes three paintings by Thomas Musgrave Joy which celebrate Grace Darling's rescue of passengers on the paddlesteamer Forfarshire.
References:The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians.