The Łódź Jewish Cemetery, also known as the New Jewish Cemetery, was once the largest Jewish cemetery in Poland and one of the largest in the world. The necropolis was opened in 1892 and occupies around 44 hectares of land. The cemetery contains from 180,000 to 230,000 marked graves, as well as mass graves of victims of the Litzmannstadt Ghetto and the Holocaust. From 1893 to 1896, the basic construction of the necropolis was completed under the supervision of well-known architect Adolf Zeligson.
The circular access is provided by the gate from the southern side on the axis of Abram Cukier Street, which is an extension Chryzantem Street. Pedestrian access is possible from the east through a gate in the wall stretching along Zmienna Street. The composition of the foundation is based on the arrangement of two mutually perpendicular axes. The first one leads from the main gate to the square in front of the pre-funeral house. Alongside it, there were once buildings associated with the functioning of the necropolis, in addition to the pre-burial house, this complex included a synagogue, a residential house for cemetery service, a water tower, a mikveh and other minor construction facilities.
Today over a hundred of historical gravesites have been declared historical monuments and are in various stages of restoration. The mausoleum of Izrael Poznański is perhaps the largest Jewish tombstone in the world and the only one containing decorative mosaic.
The cemetery continues to function as a Jewish burial site.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.