Balhousie Castle was built in 1631, although its origins are believed to go back a further three hundred years. It originally served as the seat of the Earls of Kinnoull, and stood within a walled enclosure containing subsidiary buildings, orchards etc., on a terrace overlooking the North Inch. After falling into neglect in the early 19th century, the Castle was 'restored' (in fact, virtually rebuilt), and extensively remodelled on a larger scale between 1862 and 1864 in the Scottish Baronial style by the architect David Smart. No original features survive except for parts of the original rubble walls on the east side.
The Regimental Trustees of the Black Watch bought Balhousie Castle in January 2009 and it became the Regimental Headquarters and Museum of the regiment. The museum displays the history of the regiment from 1739 to the present. The Black Watch Heritage Appeal was launched in September 2009 allowing the regiment to raise in excess of £3.2 million to develop Balhousie Castle to provide a permanent home for the museum and archive of The Black Watch.
The castle contains No Surrender, a painting by Frank Feller (1848 – 1908), showing the aftermath of the Battle of Magersfontein (11 December 1899) in the Second Boer War.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.