Fleeing from the Normans and carrying with them the relics of their founder, St-Laumer, some Benedictine monks found shelter in Blois where they decided to build their abbey. the present church, today known as St. Nicolas, but whose real name is St. Laumer, was the former abbey-church.
From 1138 to 1186 these monks built the choir, the transept and the first row of columns of the abbey-church, completing it at the beginning of the next century. During the War of Religion the church was disfigured and the abbey itself destroyed by the Protestants. In the 17th and 18th centuries abbey was rebuilt, it was turned into a hospital at the time of the Revolution.
The speed with which the church was built and the sole addition of the apse chapel in the 14th century give a surprising unity to the whole. On entering the church, one could imagine that it was worked in the same stone by the same workman, for the same majestic and robust characteristics appear in all the different parts of the church. The elegant form of the choir, the crossbar, the majestic pillars of the transept-cross, the statues of people and masks which are to be found along the entire length of the building, the perspective inside the church, where the horizontal lines dominate the verticals; all this adds up to harmonious ensemble, which places the abbey-church of St. Laumer among the most remarkable examples of French medieval architecture.
However, two different periods of construction - about 20 years between them - have left the building with two different, and very marked, architectural styles. It is from the center of the church that the visitor will be able to notice these characteristics the most easily.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.