Kelvingrove Art Gallery and Museum is one of Scotland's most popular visitor attractions. The museum has 22 galleries, housing a range of exhibits, including Renaissance art, taxidermy, and artifacts from ancient Egypt.
The gallery is located on Argyle Street, on the banks of the River Kelvin. The construction of Kelvingrove was partly financed by the proceeds of the 1888 International Exhibition held in Kelvingrove Park.
Kelvingrove was reopened by Her Majesty Queen Elizabeth II in 2006 after a three-year closure for major refurbishment and restoration.
The museum's collections came mainly from the McLellan Galleries and from the old Kelvingrove House Museum in Kelvingrove Park. It has one of the finest collections of arms and armour in the world and a vast natural history collection. The art collection includes many outstanding European artworks, including works by the Old Masters (Vecellio's Madonna and Child with Saint Jerome and Saint Dorothy, Rembrandt van Rijn, Gerard de Lairesse, and Jozef Israëls), French Impressionists (such as Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Vincent van Gogh and Mary Cassatt), Dutch Renaissance, Scottish Colourists and exponents of the Glasgow School.
The museum houses Christ of Saint John of the Cross by Salvador Dalí. The copyright of this painting was bought by the curator at the time after a meeting with Dalí himself. For a period between 1993 and 2006, the painting was moved to the St Mungo Museum of Religious Life and Art.
The museum also contains a large gift of the decorative arts from Anne Hull Grundy, an art collector and philanthropist, covering the history of European jewellery in the 18th and 19th centuries.
Linderhof is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
Ludwig II, who was crowned king in 1864, began his building activities in 1867-1868 by redesigning his rooms in the Munich Residenz and laying the foundation stone of Neuschwanstein Castle. In 1868 he was already making his first plans for Linderhof. However, neither the palace modelled on Versailles that was to be sited on the floor of the valley nor the large Byzantine palace envisaged by Ludwig II were ever built.
Instead, the new building developed around the forester's house belonging to his father Maximilian II, which was located in the open space in front of the present palace and was used by the king when crown prince on hunting expeditions with his father.