Kelvingrove Art Gallery and Museum is one of Scotland's most popular visitor attractions. The museum has 22 galleries, housing a range of exhibits, including Renaissance art, taxidermy, and artifacts from ancient Egypt.
The gallery is located on Argyle Street, on the banks of the River Kelvin. The construction of Kelvingrove was partly financed by the proceeds of the 1888 International Exhibition held in Kelvingrove Park.
Kelvingrove was reopened by Her Majesty Queen Elizabeth II in 2006 after a three-year closure for major refurbishment and restoration.
The museum's collections came mainly from the McLellan Galleries and from the old Kelvingrove House Museum in Kelvingrove Park. It has one of the finest collections of arms and armour in the world and a vast natural history collection. The art collection includes many outstanding European artworks, including works by the Old Masters (Vecellio's Madonna and Child with Saint Jerome and Saint Dorothy, Rembrandt van Rijn, Gerard de Lairesse, and Jozef Israëls), French Impressionists (such as Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Vincent van Gogh and Mary Cassatt), Dutch Renaissance, Scottish Colourists and exponents of the Glasgow School.
The museum houses Christ of Saint John of the Cross by Salvador Dalí. The copyright of this painting was bought by the curator at the time after a meeting with Dalí himself. For a period between 1993 and 2006, the painting was moved to the St Mungo Museum of Religious Life and Art.
The museum also contains a large gift of the decorative arts from Anne Hull Grundy, an art collector and philanthropist, covering the history of European jewellery in the 18th and 19th centuries.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.