The Glasgow Necropolis is a Victorian age cemetery on a low but very prominent hill to the east of Glasgow Cathedral. Fifty thousand individuals have been buried here. Typical for the period, only a small percentage are named on monuments and not every grave has a stone. Approximately 3,500 monuments exist here.
Predating the cemetery, the statue of John Knox sitting on a column at the top of the hill, dates from 1825. The first burials were in 1832 in the extreme north-east on the lowest ground and were exclusively for Jewish burials.
Alexander Thomson designed a number of its tombs, and John Bryce and David Hamilton designed other architecture for the grounds.
The main entrance is approached by a bridge over what was then the Molendinar Burn. The bridge, which was designed by David Hamilton was completed in 1836. It became known as the 'Bridge of Sighs' because it was part of the route of funeral processions (the name is an allusion to the Bridge of Sighs in Venice). The ornate gates (by both David and James Hamilton) were erected in 1838, restricting access onto the bridge.
Three modern memorials lie between the gates and the bridge: a memorial to still-born children, a memorial to the Korean War and a memorial to Glaswegian recipients of the Victoria Cross.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.