St Andrew's in the Square is an 18th-century former church in Glasgow, considered one of the finest classical churches in Scotland, and now Glasgow's Centre for Scottish Culture, promoting Scottish music, song and dance.
The church was built between 1739 and 1756 by Master Mason Mungo Naismith, and designed by Allan Dreghorn. It was the first Presbyterian church built after the Reformation, and was commissioned by the city's Tobacco Lords as a demonstration of their wealth and power.
The church was enclosed by a later square, built by William Hamilton between 1786 and 1787, which became fashionable homes for some of Glasgow's wealthiest merchants. The migration of the city westwards throughout the 19th century, however, resulted in a gradual slumming of the area and a dwindling congregation. The church was last used for a religious service in 1993.
St Andrew's has played its part in Scottish history; in December 1745, before the church's completion, the Jacobite army, led by Bonnie Prince Charlie, camped around the site, and within its semi-built walls, on its return from their failed battles in England, and on 23 November 1785, huge crowds of Glaswegians gathered to watch Vincenzo Lunardi take off from the churchyard in a hot air balloon on a flight which took him south-east to Hamilton and Lanark, before eventually landing in Hawick.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.