St Andrew's in the Square is an 18th-century former church in Glasgow, considered one of the finest classical churches in Scotland, and now Glasgow's Centre for Scottish Culture, promoting Scottish music, song and dance.
The church was built between 1739 and 1756 by Master Mason Mungo Naismith, and designed by Allan Dreghorn. It was the first Presbyterian church built after the Reformation, and was commissioned by the city's Tobacco Lords as a demonstration of their wealth and power.
The church was enclosed by a later square, built by William Hamilton between 1786 and 1787, which became fashionable homes for some of Glasgow's wealthiest merchants. The migration of the city westwards throughout the 19th century, however, resulted in a gradual slumming of the area and a dwindling congregation. The church was last used for a religious service in 1993.
St Andrew's has played its part in Scottish history; in December 1745, before the church's completion, the Jacobite army, led by Bonnie Prince Charlie, camped around the site, and within its semi-built walls, on its return from their failed battles in England, and on 23 November 1785, huge crowds of Glaswegians gathered to watch Vincenzo Lunardi take off from the churchyard in a hot air balloon on a flight which took him south-east to Hamilton and Lanark, before eventually landing in Hawick.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.