The origins of Cramond Kirk date back to the building here of an extensive Roman Fort. By about 600 AD a building on the site of part of the Roman Fort was being used for Christian worship. The earliest part of the church which survives today is the tower at its west end, which is thought to date back to the 1400s. Possibly of similar date is the Inglis family vault at the east end of the kirk, complete with a stone slabbed roof. Most of the church between these two extremities dates back to 1656. By then, nearly a century after the Reformation, the medieval church on the site had fallen into ruin and would doubtless have been structurally ill-suited to the needs of the Presbyterian Kirk and its very different forms of worship. The result was the near complete rebuilding of the kirk.
In 1828 the architect William Burn altered the church, while David Bryce oversaw changes in 1851 and 1868. Further major changes took place in 1911-12, which included the near total remodelling of the interior of the kirk and the alteration and refurbishment of a structure which had become very dilapidated.
The interior of the kirk is much more roomy than you expect from outside, and the most striking feature is the large amount of attractive woodwork on view lining the ceiling, panelling the lower parts of the walls, and in the pews and galleries. The focus of attention is the pulpit and communion table placed, unusually, at the kirk's south end.
There are a number of fascinating old gravestones in the Kirkyard, with perhaps the most striking being that of Robert Haig, which appears to carry a depiction of two nuns.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.