The Church of Santa Maria represents the heart of the traditions of Sassari. On August 14th, after a long and exhausting procession carrying huge decorated wooden pillars representing candles, members of the Gremi (Guilds) enter the church proudly, with their votive candles. A religious observance since the Middle Ages, this is the festival of the Candlesticks, which fulfills a promise made to the Virgin Mary of the Assumption for having saved the city from the plague.
The simple facade of the structure on the outside hides the magnificent art and historical richness that lies inside the Church. Founded in the Roman Age, with the arrival of Franciscan monks during the thirteenth century it was extended, adapting it to the new Gothic Cistercian canons typical of the area around Tuscany and Umbria. After the Aragonese conquest, the nave and on the short transept of the church was enlarged and a series of little side chapels were added. The construction of a new dome led to the transformation of the church in the first half of the nineteenth century. The monastery complex was built a couple of years later and filled with exquisite architectural and decorative elements, still visible today. It's impossible to ignore the fourteenth century polychrome Catalan wooden statue of the Virgin of Bethlehem, also called Virgin of the Rose.
From the sacristy you can access the cloister, dating from the thirteenth century, in which you can admire the fountain known as the Brigliadore.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.