The ancient Roman town of Turris Libisonis, located at the mouth of the Rio Mannu was the precursor to the current Porto Torres. This had been a Roman colony since the 1st century BC and, of all the estates belonging to the Republic and the Empire, it was the only one inhabited by Roman citizens: it proudly held the name of Iulia, linked to the figure of Julius Cesar or of Augustus.
Under the long Roman dominion, the town underwent several urban renewals: building of the road system, three thermal baths, an aqueduct and the creation of a port where trade relationships with Ostia took place. The colony, between the end of the 2nd and 3rd centuries AD, was second only to Caralis for number of inhabitants, grandeur and maritime traffic. Buildings that will surprise you with their architectural perfection and evocative power are the domus di Orfeo and the Terme di Pallottino thermal baths as well as the central ones, in an area known as Palazzo di Re Barbaro, in which you will find large rooms with baths and elegant mosaics. Between the 3rd and 4th centuries AD, the building activity was intensified: you can admire the evolution of these activities as well as the remains of marble decorations, bas-reliefs and statues. In the archaeological area, you will find the remains of dwellings grouped into blocks and tabernae (workshops). The buildings are delimited by paved roads and are partly incorporated and visible in the Antiquarium Turritano, a museum located in a building within this area, not far from the thermal baths, where artefacts and relics found during the excavations are kept: pottery, funeral urns, inscriptions and mosaics.
Around the ancient town, there are vast necropolises: one to the west, on a shore of the Rio Mannu rivulet and another to south, below the current town, while to the east, on the seafront, including the hypogaeum of Tanca Borgona, there are the funerary complexes of Scogliolungo and San Gavino a mare and the tombs of Balai. The graves range from the early Imperial age to the early Christian period, while there is an almost completely intact Roman bridge over the river with seven elegant arches, making it an exceptional feat of engineering.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.