Santa Maria del Regno church, together with the annexed castle of which ruins remain today, was built in the 11th century by Giorgia, daughter of the Giudice of Torres, as a Palace Chapel. The church is mentioned in the Libellus Judicum Turritanorum of the 13th century.
The church was built in dark basalt stone by Pisan workers (the island in the Middle Ages was under strong influence from the maritime Republic of Pisa). The façade is divided into five sectors and has a salient-shaped façade. In the middle is the portal, surmounted by a double mullioned window. The whole exterior of the edifice is characterized by false columns (lesenes) and Lombard bands; on the right are the remains of the square bell tower, which is missing the upper part.
The interior, on a rectangular plan, has a nave and two aisles divided by columns whose capitals have flower motifs. The nave has a wooden trusses ceiling, while the aisles are groin vaulted. In the semi-circular apse is the large retablo, the largest 16th-century polyptych in Sardinia, located behind the high altar. The table portrays several prophets and saints, as well as episodes in the life of the Virgin Mary. In the middle, within a niche, is the wooden statue of Nostra Signora del Regno, a 'Madonna with Child' wearing royal symbols. The polyptych is dated 1515.
The church's columns have 17th-century paintings with Apostles and other Saints, while also present is a lesser retablo from the same school, a carved wooden pulpit and an epigraph celebrating the consecration of the church on May 7, 1107.
The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.