The necropolis of Sa Figu, the most important prehistoric heritage of the territory of Ittiri, is a place where the pre-Nuraghic remnants ‘merge’ with the Nuragic monuments. It extends along the northern edge of the Coros plateau that gives its name to a Logudorese sub-region. Four kilometres from the town, the archaeological area can be reached from the sanctuary of San Maurizio by climbing up to the peak. The complex is composed of eleven hypogea, a megalithic circle and the base of an archaic Nuraghe (or ‘protonuraghe’). It has survived at least three prehistoric eras: the late Neolithic (end of 4th millennium BC), when the first nucleus of Domus de Janas was excavated; the Eneolithic and Copper age; plus the Late and Mid Bronze, when hypogeum ‘architectural façades’ were widespread.
Of the sepultures of Sa Figu, three are simple and original Domus de Janas, two have a single cella and one had a number of cellae, with a Dromos (‘andito’), an anti-cella and a cella on which secondary areas open. At least three are expanded Domus, with additions to the façade of stele and exedra. Three are new set-ups or have been restructured in the Bronze Age. The largest tomb was originally composed of five rooms, becoming a single room following the demolition of the partition walls. An anti-cella with decorated walls leads into the cella where three rooms opened up. The hypogea have revealed a number of Nuragic finds, especially the famous bronze statuette of the launeddas player.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.