San Vicente de Oviedo is a church and monastery in Oviedo. Its foundation, in 761, is recorded in a charter known as the Pacto monástico de Oviedo ('Monastic Pact of Oviedo') a copy made in the 12th-century of the original that is dated 25 November 781 and is considered the earliest document on the monarchy of the Kingdom of Asturias. Although doubts exist as to the veracity of this document since the monastery, also called Antealtares in the Middle Ages, is not mentioned again until 969. According to the charter of 781, twenty years before, in 761, the monks Máximo, with his serfs, and Fromestano, founded a church in locum quod dicunt Oveto (the place called Oveto), which was to become the city of Oviedo.
Transformed into a monastery, the first abbot was Oveco, documented between 969 and 978, and the first reference mentioning that it followed the Benedictine Rule is dated in 1042.
The style of the building is Romanesque, although reworked in the 11th and 12th centuries. Its cloister is an official National Historic and Artistic Monument and since 1952 houses the Archaeological Museum of Asturias.
The Archaeological Museum of Asturias hosts collections of the Asturian Neolithic, Megalithic, Bronze Age, Iron Age, Astur hill fort culture, Roman period, and of the Gothic, Pre-Romanesque and Romanesque periods of the Kingdom of Asturias. The museum also includes sections of Asturian Ethnography, Heraldry, Medieval and Modern Epigraphy, Spanish Numismatics, a European Medal Section, and Armor.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.