The Monastery of San Antolín de Bedón was built at the mouth of the River Bedón, near the coast and the sea.
Its year of construction is unknown, being first mentioned in the 12th century. The only evidence that remains is the church, which corresponds to the late Romanesque, in transition towards the Gothic, the style suggested by the use of the pointed arch. The ground plan is that of a basilica, with three naves at different heights, separated by pointed arches resting on simple pillars, except for those in the transept and the apse, which are more ornate. It ends in a chevet with three semi-circular cul-de-four apses, which jut out of the east end. The system of ceilings is hierarchically conceived: the naves are covered with a wooden framework, while groin and pointed barrel vaulting is used in the transept.
The outside of the church is characterized by the use of ashlar and buttresses, where a marked escalation in volumes can be appreciated, as the roofs of the naves are at different heights, the central nave standing out above the other two. Horizontal mouldings and windows serve to break the exterior monotony of the semi-circular walls of the apse. Despite the decorative sobriety of the church, sculptural decoration survives due to its didactic character, occupying outdoor areas, such as the corbels of the eaves protecting the portals. The church has two portals; the west-facing portal has five pointed archivolts, with a cornice adorned with beautiful anthropomorphic (hunters), animalistic (fowl) and plants corbels. The south-facing portal presents a very similar structure and ornamentation. One of them was used to connect the church with the monastery. The ensemble conveys the image of austerity of the Cistercian Order, based on the lack of ornamentation and a scarcity of decorative aesthetics.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.