The Palace of Cienfuegos de Peñalba arises on a hill near Pola de Allande. It was originally built in the 15th century on the site of an ancient fort, but has been refurbished so that the only remaining Gothic elements are on the lowest level.
The original owners were in the Ponce lineage, but it passed to the Counts de Luna and in 1515 to the Cienfuegos family lines. Around 1520 Rodrigo González de Cienfuegos, lord of Allande, undertook renovations to rebuild the property. In the eighteenth century, the property became the residence of the Count of Peñalba who renovated it to suit his tastes.
The Palace has L-shaped plan and is marked by three solid towers, which are not crenellated, adding to the monumental elements of the building and leading to its appearance of strong defenses. Of the three towers, the two oldest are the square ones and the most recent is rectangular. The last one was added as a housing area in the nineteenth century. It contains 23 bedrooms, as well as a hall, kitchen, living room, lounge, and oratory. The rectangular courtyard has little decoration or ornamentation. Without porticoes the first floor has a wooden gallery supported by thick, rough masonry columns. There are also multiple stables.
In 2008 a rehabilitation project was completed which recovered some of the shapes and colors from the 1888 gallery which was added to the main tower at that time.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.