The whitewashed church in Bjerre has a choir and nave from Romanesque period with a late Gothic tower to the west and a later porch to the south. The Romanesque building is in travertine without any visible plinth, and it has not kept special original details. In the late Gothic period was in the choir built one, in the nave three cross vaults and the choir arch was extended. At almost the same time the tower was added withan eight rib-vault in the bottom room and a round tower arch. In the north wall of the tower is a straight-running stairway up to the middle storey. The porch is built in monk bricks but it has no dated details.
The altar piece is a Renaissance structure from ab. 1630 with two pillars. It was decorated in 1741 and repaired in 1939. The present painting, Christ is healing a sick, was painted by Anker Lund in 1892; an earlier painting, The Crucifixion, hangs above the exit door. Altar chalice from 1774 with names and coat of arms of Hans Helmer Lüttichau and wife. Balustershaped Baroque candelabres, from ab. 1650. The Romanesque granite font has a rather roughly carved basin with large lions and a dragon in flat-relief, divided by trees. The round foot has corner-knots. A South German dish with engraved coat of arms of Walkendorf and Egern-Friis. A sounding board from the beginning of the 1700s, similar to the choir desk, which has naive biblical paintings. Upon the desk stand two late Gothic small-figures of Virgin Mary and Sct Laurentius. A torso of an indefinable crucifix-figure is at Glud Museum.
A pulpit in Renaissance, ab. 1630, with Tuscany corner pillars and a contemporary sounding board. An interesting early Gothic bell from ab. 1325-50, without inscription, but with seal imprint, which in the shield shows a murtinde (wall peak) and the word 'Nicles...nes'. In the porch two very worn out gravestones from the late 1700s with naive Evangelist symbols.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.