The large white-washed church in Daugård has a Romanesque choir and nave with late Gothic additions: a tower to the west and a porch to the south. The choir arch seems expanded in the late Gothic period and like the eastern part of the choir rebuilt in monk bricks.
Upon the north wall of the choir were in 1956 found fragmentaric Romanesque frescoes from c. 1200. The altarpiece is a typical work by Jens Hiernøe from c. 1800 with corintich pillars, vases and symbols. In the big field a painting from the late 1800s, a copy of Carl Bloch's Gethsemane. Chalice from 1692. Late Gothic ore candelabres. A fine Romanesque font with lions with characteristic manes, reflecting ornaments from the Viking period and connecting it to fonts in Ejstrup and Nr. Snede church. A pulpit in simple Renaissance from 1610 with Tuscany corner pillars, repaired in 1939.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.