The Egeskov Church chancel and nave are Romanesque, whilst the west tower and the porch on the south side date from the late Gothic period. Externally the chancel is highly ornate, the east wall including an attractive gable recess. After the Swedish wars 1657-60 the church was in ruins. The crucifix, which now hangs on the north wall of the nave, was the only thing to be spared. The altar piece, the pulpit and the font canopy together with the priest's chair and the gallery are Baroque works from the end of the 17th century.
The altar painting and the frame are date from 1703. The font is Romanesque. The bassin and the pichter are from 1990 and designed and made by the local silversmith Børge Poulsen, who also made the candle sticks in 1988.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.