Lobbes Abbey was a Benedictine monastery which played an important role in the religious, political and religious life of the Prince-Bishopric of Liège, especially around the year 1000.
The monastery was founded by Saint Landelin around 650. Under the abbots Folcuin (965-990), Heriger of Lobbes (990-1007) and Hugo (1033–1053), the abbey and the school once again attained a great reputation. After this period the fame of the abbey gradually declined, until the monastic revival originating from the Bursfelde Congregation brought fresh life in the 15th century.
In 1794, the last abbot, Vulgise de Vignron, and 43 monks were expelled from the monastery by French revolutionary troops. Under the law of 2 September 1796 the abbey was dissolved. Most of the monastic buildings, including the abbey church of Saint Peter, were destroyed. The former burial church of Saint Ursmarus survived as a parish church. A few other minor buildings were later incorporated into a railway station.
The church of Saint Ursmarus is one of the oldest churches in Belgium. The oldest parts date from Carolingian or Ottonian times. The choir and crypt are Romanesque and stand out by their simplicity. The crypt contains the tombs of Saint Ursmarus and Saint Erminus, as well as tombstones from other abbots. The westwork tower is a typical example of Mosan architecture. The pointed spire was added in the 19th century.
From 1865 until 1870 the church was restored by the architect Eugène Carpentier, who basically rebuilt large sections of the church and removed all traces of earlier situations.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.