Pentre Ifan contains and gives its name to the largest and best preserved neolithic dolmen in Wales. As it now stands, the Pentre Ifan Dolmen is a collection of seven principal stones. The largest is the huge capstone, 5 m long, 2.4 m wide and 0.9 m thick. It is estimated to weigh 16 tonnes and rests on the tips of three other stones, some 2.5 m off the ground. There are six upright stones, three of which support the capstone. Of the remaining three, two portal stones form an entrance and the third, at an angle, appears to block the doorway.
The dolmen dates from around 3500 BC, and has traditionally been identified as a communal burial. Under this theory the existing stones formed the portal and main chamber of the tomb, which would originally have been covered by a large mound of stones about 30 m long and 17 m wide. Some of the kerbstones, marking the edge of the mound, have been identified during excavations. The stone chamber was at the southern end of the long mound, which stretched off to the north. Very little of the material that formed the mound remains. Some of the stones have been scattered, but at least seven are in their original position. An elaborate entrance façade surrounding the portal, which may have been a later addition, was built with carefully constructed dry stone walling. Individual burials are thought to have been made within the stone chamber, which would be re-used many times. No traces of bones were found in the tomb, raising the possibility that they were subsequently transferred elsewhere.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.