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Hodgeston Parish Church nave is thought to date from the 13th century, while the chancel was added during the following century. The tower was built at a later date. The present windows were added as part of this restoration, but many of the internal features were preserved in the mid-19th century.Â
The church is constructed in local limestone with slate roofs. Its plan consists of a nave with a south porch, a chancel, and a west tower. The massive tower was unusually slender for the era, and is in four stages. On the north face of the tower is a stair turret. In its lowest stage is a 19th-century double west window over the remains of a former narrow window. There are double round-headed bell openings in the top stage, and at the summit of the tower is a parapet supported by corbels. In the north wall of the nave is a blocked doorway.
The chancel measures 9 metres by 5 metres. It has a cornice decorated with ballflowers. Along its south wall is a bench, a double piscina dating from the 14th century, and a triple sedilia; these are decorated with ballflowers, crockets and leaf finials. The carving is of high quality, and was probably paid for by Henry de Gower, Bishop of St David's. The chancel is floored with encaustic tiles. The restored east window is in Decorated Gothic style; the other windows in the chancel are in simpler style. The nave measures about 12 metres by 5 metres and it contains a Norman font. The ground floor of the tower is used as a vestry. The bells date from the 15th and 16th centuries.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.