The Church of the Ascension of Jesus was built in the mid-16th century and is three-nave, with the middle vessel arched and flat pages covered with gains in domes. In the west is the gallery for women. On the south wall, above the present level of the floor during the repair of the church year 1963-64 was discovered a flat painting dating from the 16th-17th century. During the 19th century the church was given the inal look. In 1824 the iconostasis was completed and in 1867 it was part of the throne icons. The iconostasis and icons were made by cooperatives and traders from Skopje.
The Orthodox congregation under Ottomans was included in a specific community under Greek domination. With the rise of nationalism, the Bulgarian population of the area voted in 1874 overwhelmingly, by 91% in favour of joining the Bulgarian Exarchate. This remained so until 1890 when it was taken back by the Greek priests. In 1901 the church was taken from the Serb community and became the seat of the Skopje Metropolitan, Firmilijan and his successors.
The door for entering in the yard is heavy and made from oak. In the yard is a white sarcophagus containing the remains of the revolutionary Gotse Delchev.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.