The Temple of Artemis is an Archaic Greek temple in Corfu, Greece, built in around 580 BC in the ancient city of Korkyra. The temple was dedicated to Artemis. It is known as the first Doric temple exclusively built with stone. It is also considered the first building to have incorporated all of the elements of the Doric architectural style. Very few Greek temple reliefs from the Archaic period have survived, and the large fragments of the group from the pediment are the earliest significant survivals.
The temple was a peripteral–styled building with a pseudodipteral configuration. Its perimeter was rectangular, with width of 23.46 m and length 49 m with an eastward orientation so that light could enter the interior of the temple at sunrise. It was one of the largest temples of its time.
The metope of the temple was probably decorated, since remnants of reliefs featuring Achilles and Memnon were found in the ancient ruins. The temple has been described as a milestone of Ancient Greek architecture and one of 150 masterpieces of Western architecture. The architecture of the Corfu temple may have influenced the design of an archaic sanctuary found at Sant'Omobono in Rome which dates to the archaic period and incorporates similar design elements.
The massive altar of the sanctuary is precisely rectangular and stood in front of the temple. It was 2.7 m. wide and 25 m. long. Only 8 m. of its northern section survive. The rest of the altar was built over, under the foundations of the Saint Theodore monastery.
Kaiser Wilhelm II, while vacationing at his summer palace of Achilleion in Corfu and while Europe was preparing for war, was involved in excavations at the site of the ancient temple.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.