Located at the end of the Falcomatà waterfront and discovered during the reconstruction works following the 1908 earthquake, the Roman Baths are one of the most famous city monuments of Reggio Calabria.
Given its size, its baths were probably part of a private building. The remains reveal more building phases, and, for a long time, they were covered by a Spanish wall tower, the Bastione di San Matteo, which guaranteed its partial conversation. Left of its original layout today is an elliptical bath for hot baths preceded by a series of heated rooms (tepidarium and calidarium), a square bath used for cold baths, and a small, semi-circular dressing room paved in black and white mosaic.
The mosaic, dated 2nd-3rd century AC, is of geometric style, with white limestone and black lava stone tiles that are of Sicilian or Aeolian origin. A small section of the frame also has grey (restoration) tiles. The actual two-colour decoration is limited to the central part of the floor and is framed by a black rectangular frame, which is in turn surrounded by a large white border. The central decorative motif consists of a composition of rows of large elongated hexagons, joined together by the base, which gives rise to intersecting rows of small rhombuses traced in a black on white background.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.