The remains of the Greek settlement in the locality of Centocamere, and those of the Tempio di Marasà, which have yielded a great variety of relics related to religion, art, and culture, have more recently been added to those of a sanctuary dedicated to Demetra Thesmophoros, stretches of the Greek city walls, and significant monumental evidence from the Roman Imperial age, such as the Museale Casinò Macrì complex.
In the first half of the fifth century BC, the Locrians demolished their archaic temple and rebuilt a new temple in the Ionic style. The temple was designed by Syracusan architects around 470 BC, based on the idea of Hiero I of Syracuse.
The new temple occupies the same place as the previous one but it has a different orientation. The temple was destroyed in the 11th century. The dimensions of the temple were 45.5 by 19.8 metres. The cella is free of supports on the central axes. The pronaos had two columns. The temple has seventeen Ionic columns on the long side, and six on the front. The height of the temple was 12 metres.
The theatre was built in the fourth century BC not far from the ancient city, in the Contrada Pirettina, taking advantage of a hillside slope. The original structure had space for more than 4,500 people; now only the central part of the theatre is visible. Part of the Cavea was cut into the rocks. Each plane was divided in 7 wedges between 6 scales. A horizontal separation divided the upper theater from the lower theatre.
Saint-Georges de Boscherville Abbey is a former Benedictine abbey. It was founded in about 1113 by Guillaume de Tancarville on the site of an earlier establishment of secular canons and settled by monks from the Abbey of Saint-Evroul. The abbey church made of Caumont stone was erected from 1113 to 1140. The Norman builders aimed to have very well-lit naves and they did this by means of tall, large windows, initially made possible by a wooden ceiling, which prevented uplift, although this was replaced by a Gothic vault in the 13th century. The chapter room was built after the abbey church and dates from the last quarter of the 12th century.
The arrival of the Maurist monks in 1659, after the disasters of the Wars of Religion, helped to get the abbey back on a firmer spiritual, architectural and economic footing. They erected a large monastic building one wing of which fitted tightly around the chapter house (which was otherwise left as it was).