The exact origins of the Cosenza Cathedral are unknown; it was probably built during the first half of the 11th century. An earthquake destroyed the cathedral on 9 June 1184, and rebuilding was completed by 1222 when the cathedral was consecrated by Emperor Frederick II.
At some point during the first half of the 18th century the church was covered by a baroque superstructure which obliterated the original structure and its works of art. In the first half of the 19th century the façade was transformed in neo-gothic style, which completely changed its character. At the end of the 19th century, Archbishop Camillo Sorgente entrusted the work to Pisanti, who recovered the original old arches and the ancient structure of the church. In the 1940s the work was finally completed.
In the transept is the tomb of Isabella of Aragon, wife of king Philip III of France. A long aisle links the Duomo to the archbishops' palace, the Palazzo Arcivescovile, which houses an Immacolata by Luca Giordano. One can also admire the rare and precious Stauroteca, a gift from Emperor Frederick II to the Duomo upon consecration. The work was produced in the royal goldsmiths' workshops, better known as “Tiraz”, in a cultural environment which blended Arabic, Byzantine and Western cultural elements.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.