The Palace of the Grand Master of the Knights of Rhodes, also known as the Kastello, is one of the few examples of Gothic architecture in Greece. The site was previously a citadel of the Knights Hospitaller that functioned as a palace, headquarters, and fortress.
According to recent study, in the exact spot in which the palace exists today, there was the foundations of the ancient temple of the Sun-god Helios and probably that was the spot where Colossus of Rhodes stood in the Antiquity. The palace was originally built in the late 7th century as a Byzantine citadel. After the Knights Hospitaller occupied Rhodes and some other Greek islands (such as Kalymnos and Kastellorizo) in 1309, they converted the fortress into their administrative centre and the palace of their Grand Master. In the first quarter of the 14th century, they repaired the palace and made a number of major modifications. The palace was damaged in the earthquake of 1481, and it was repaired soon afterwards.
After the 1522 capture of the island by the Ottoman Empire, the palace was used as a command centre and fortress.
During the Italian rule of Rhodes, the Italian architect Vittorio Mesturino restored the damaged parts of the palace between 1937 and 1940. It became a holiday residence for the King of Italy, Victor Emmanuel III, and later for Fascist dictator Benito Mussolini, whose name can still be seen on a large plaque near the entrance.
On 10 February 1947, the Treaty of Peace with Italy, one of the Paris Peace Treaties, determined that the recently established Italian Republic would transfer the Dodecanese Islands to Greece. In 1948, Rhodes and the rest of the Dodecanese were transferred as previously agreed. The palace was then converted to a museum, and is today visited by the millions of tourists that visit Rhodes.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.