Place de la Bourse is a square in Bordeaux, France and one of the city's most recognisable sights. Built from 1730 to 1775 along the Garonne River, it was a multi-building development designed by architect Ange-Jacques Gabriel. It is within the historic part of the city that has been recognized on the UNESCO World Heritage List as 'an outstanding urban and architectural ensemble' of the 18th century.
In the original plan, a statue of King Louis XV of France was erected in the square. This statue was destroyed during the French Revolution. After the destruction of the statue, a Corinthian column-fountain was built on the square. Finally, in 1869 the sculpture Three Graces was installed in the same location.
This square is one of the most representative works of classical French architectural art of the eighteenth century. In the north stood the Palais de la Bourse (current Chamber of Commerce and Industry of Bordeaux) and in the south the Hotel des Fermes (now Interregional Directorate of Customs and Indirect Rights, which houses the National Museum of Customs). It was designed by Ange-Jacques Gabriel between 1735 and 1738. The sculptures represent Minerve protecting the arts and Mercury favoring the commerce of the city.
The Miroir d'eau (Water Mirror) is the world's largest reflecting pool, covering 3,450 square metres. Located on the quay of the Garonne in front of the Place de la Bourse, it was built in 2006.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.